The Park at Arcueil, 1748
Charles Joseph Natoire French, 1700 - 1777
Pen with brown and grey ink and wash, black chalk and red chalk, heightened with white on faded blue laid paper
24.4 x 33.2 cm
Purchase, 1987
© 2013 Art Gallery of Ontario

The Angel Leaving Tobias and His Circle, unknown
Jean-Jacques Lagrenée French, 1749 - 1821
Brown ink, wash and gouache on laid paper
Overall: 33.5 x 44.3 cm
Gift of Margaret and Ian Ross, 1994
© 2013 Art Gallery of Ontario

Paternal Affection, c. 1800
John Flaxman British, 1755 - 1826
Pen and ink and grey wash over graphite on laid paper
30.5 x 24.5 cm
Purchase, 1980
© 2013 Art Gallery of Ontario

Lamentation over the Dead Christ, c. 1540
Francesco Salviati Italian, 1510 - 1563
Brown ink and wash, over traces of black chalk, heightened with white gouache on laid paper
24.1 x 16.1 cm
Purchase, 1981
© 2013 Art Gallery of Ontario

Five Sketches, Michel, 1861
William George Richardson Hind Canadian, 1833 - 1889
Watercolour, ink and graphite on wove paper
Overall (sheet): 24 x 31.2 cm
Purchase, 1984
© 2013 Art Gallery of Ontario

Study for “Northern River”, 1914 - 1915
Tom Thomson, Canadian, 1877 - 1917
Gouache, brush and ink over graphite on illustration board, Overall: 30 x 26.7 cm,
Purchase, 1982
2012 Art Gallery of Ontario

A Quack, c. 1637
Rembrandt Harmensz van Rijn, Dutch, 1606 - 1669
Pen and brown ink on laid paper, Overall: 10.2 x 8.6 cm,
Gift from the Estate of R. Fraser Elliott, 2005
2012 Art Gallery of Ontario

The Friedrichstrasse Station, 1913
Walter Trier, Canadian, 1890 - 1951
Pen, ink and watercolour on wove paper, Overall (sheet): 30.2 x 23.6 cm,
Gift of the Trier-Fodor Foundation, 1977
2012 Art Gallery of Ontario

The Vicarage at Neunen: Seen from the Back, with the Artist’s Studio on the Right, c. 1884
Vincent van Gogh, Dutch, 1853 - 1890
Graphite, pen and brown ink, brown wash, heightened with white on wove paper, Overall: 25.6 x 37.8 cm,
Purchased with proceeds from the Annual Giving Fund, 1982
2012 Art Gallery of Ontario

Male figure in a blue and red costume from the Ballet des quatre saisons de l’Annee, 1626
Daniel Rabel (French, 1578 - 1637)
Drawing, brown ink, watercolour and metallic paint over an underdrawing of black chalk, 32.5 x 20.7 cm
Gift of Marvin Weisler and Robert Siskind, 1990