AGO Art of the Day
Woman at the Window, 1875 James Tissot (French, 1836 - 1902) Print, etching on wove paper, 55.5 x 27.8 cm Gift of Allan and Sondra Gotlieb, 1994

Woman at the Window, 1875
James Tissot (French, 1836 - 1902)
Print, etching on wove paper, 55.5 x 27.8 cm
Gift of Allan and Sondra Gotlieb, 1994

The Newspaper, 1883 James Tissot (French, 1836 - 1902) Print, etching and drypoint on laid paper, 55.9 x 37.5 cm Gift of Allan and Sondra Gotlieb, 1994

The Newspaper, 1883
James Tissot (French, 1836 - 1902)
Print, etching and drypoint on laid paper, 55.9 x 37.5 cm
Gift of Allan and Sondra Gotlieb, 1994

They say yes and give their hand to the first comer Plate 2 from “Los Caprichos”, 1799 Francisco Goya Y Lucientes (Spanish) Print, etching with hand colouring, 21.4 x 15 cm Gift of Joey and Toby Tanenbaum, 1999 Like this print? See it for real in as part of Goya and Gillary: Humour that Bites, on at the AGO until April 15, 2012.

They say yes and give their hand to the first comer Plate 2 from “Los Caprichos”, 1799
Francisco Goya Y Lucientes (Spanish)
Print, etching with hand colouring, 21.4 x 15 cm
Gift of Joey and Toby Tanenbaum, 1999

Like this print? See it for real in as part of Goya and Gillary: Humour that Bites, on at the AGO until April 15, 2012.

The Hammock, 1880 James Tissot (French) Print, etching and drypoint on laid paper, 27.8 x 18.4 cm Gift of Allan and Sondra Gotlieb, 1994

The Hammock, 1880
James Tissot (French)
Print, etching and drypoint on laid paper, 27.8 x 18.4 cm
Gift of Allan and Sondra Gotlieb, 1994

The Gout, 1799 James Gillray (British) Etching, hand-coloured soft-ground etching on wove paper, 26.6 x 36.2 cm Gift of the Trier-Fodor Foundation, 1991 Like this print? See it for real in as part of Goya and Gillary: Humour that Bites, on at the AGO until April 15, 2012.

The Gout, 1799
James Gillray (British)
Etching, hand-coloured soft-ground etching on wove paper, 26.6 x 36.2 cm
Gift of the Trier-Fodor Foundation, 1991

Like this print? See it for real in as part of Goya and Gillary: Humour that Bites, on at the AGO until April 15, 2012.

Naked Woman Seated on a Mound, c. 1631 Rembrandt Harmensz van Rijn (Dutch) Print, etching on laid paper, 17.8 x 16.1 cm Gift of Esther and Sam Sarick, 2006

Naked Woman Seated on a Mound, c. 1631
Rembrandt Harmensz van Rijn (Dutch)
Print, etching on laid paper, 17.8 x 16.1 cm
Gift of Esther and Sam Sarick, 2006

Merry folly (Disparate alegre) Plate 12 from “Los Proverbios”, 1819 c - 1824 Francisco Goya Y Lucientes (Spanish) Print, etching, aquatint, lavis, burnisher, drypoint and burin on paper, 24.2 x 35.1 cm Gift of The Robert Tanenbaum Family Trust, 1999

Merry folly (Disparate alegre) Plate 12 from “Los Proverbios”, 1819 c - 1824
Francisco Goya Y Lucientes (Spanish)
Print, etching, aquatint, lavis, burnisher, drypoint and burin on paper, 24.2 x 35.1 cm
Gift of The Robert Tanenbaum Family Trust, 1999

Life and Death Contrasted - or, An Essay on Woman, 1794 Robert Dighton (British) Print, hand-coloured etching on laid paper, 35 x 24.7 cm Gift of the Trier-Fodor Foundation, 1989

Life and Death Contrasted - or, An Essay on Woman, 1794
Robert Dighton (British)
Print, hand-coloured etching on laid paper, 35 x 24.7 cm
Gift of the Trier-Fodor Foundation, 1989

My Heart Sways Between the Two, 1876 James Tissot (French) Print, etching and drypoint with grey wash on laid paper, 32.9 x 50.2 cm Gift of Allan and Sondra Gotlieb, 1994

My Heart Sways Between the Two, 1876
James Tissot (French)
Print, etching and drypoint with grey wash on laid paper, 32.9 x 50.2 cm
Gift of Allan and Sondra Gotlieb, 1994